香味剂的英文翻译英语怎么说-皮肤衰老的原因


2023年3月30日发(作者:美发工具)

Majorcharacter:软弱的近义词是什么 MamadecidesthatshewillwaitintheyardforherdaughterDee’

knowsthatherotherdaughter,Maggie,willbenervousthroughoutDee’sstay,self-consciousof

herscarsandburnmarksandjealousofDee’ntasizesaboutreunion

scenesontelevisionprogramsinwhichasuccessfuldaughterembracestheparentswhohave

mesMamaimaginesreunitingwithDeeinasimilarscenario,in

atelevisionstudiowhereanamiable(和蔼可亲的)hostbringsoutatearfulDee,whopins

orchidsonMama’sMamaissheepishaboutthethoughtoflookingawhitemanin

theeye,’smusingisinterruptedbyMaggie’sshufflingarrivalinthe

membersthehousefirethathappenedmorethanadecadeago,whenshecarried

Maggie,badlyburned,chedtheflamesengulfthehouseshedespised.

Backthen,MamabelievedthatDeehatedMaggie,untilMamaandthecommunityraisedenough

sentedtheintimidatingworldofideasand

verwenttoschoolbeyond

oksforwardtoMaggie’s

marriagetoJohnThomas,afterwhichMamacanpeacefullyrelaxandsinghymnsathome.

WhenDeearrives,

emergesfromthecarwithherboyfriend,sapprovesofthestrangeman’s

presenceandisequallydisapprovingofDee’-a-barbergreetsand

triestohugMaggie,whorecoils.

DeegetsacamerafromthecarandtakesafewpicturesofMamaandMaggieinfrontoftheir

nputsthecameraonthebackseatandkissesMamaontheforehead,as

Hakim-a-barberawkwardlytriestoshakeMaggie’lshermotherthatshehas

changedhernametoWangeroLeewanikaKemanjotoprotestbeingnamedafterthepeoplewho

llsDeethatshewasinfactnamedafterherAuntDicie,whowas

namedafterGrandmaDee,ruggleswiththe

pronunciationofDee’sshedoesn’thavetousethenewname,but

Mamalearnstosayit,althoughs描写中秋的诗句古诗和文章 heisunabletomasterHakim’ysthathemustbe

relatedtotheMuslimswholivedowntheroadandtendbeefcattleandalsogreetpeoplebysaying

“Asalamalakim.”Hakim-a-barbersaysheacceptssomeoftheirdoctrinesbutisnotintofarming

orherding.

gdowntoeat,

,however,eatsheartily,

g(跳跃)up,she

approachesthebutterchurninthecornerandasksMamaifshecanhaveitstop,whichhadbeen

tsthedashertoo,adevicewithbladesusedtomakebutter.

Hakim-a-barberasksifUncleBuddywhittledthe“dash”aswell,towhichMaggierepliesthatit

wasAuntDee’sfirsthusband,Stash,isesMaggie’smemoryandwrapsthe

ipsthehandleofthedasher,examiningtheruts(凹槽)andwornareasmadeby

herrelative’shands.

Deeransacks(遍寻)thetrunk(箱子)thefootofMama’sbed,reappearingwithtwoquiltsmade

byhermother,aunt,ltscontainsmallpiecesofgarmentswornby

arsMaggie

ggeststhatDeetakeotherquilts,

butDeeinsists,tsupandtriestotell

Deemoreaboutthegarmentsusedtomakethequilts,veals

ps,arguingthatMaggiewon’tappreciatethe

quiltsandisn’ahopesthatMaggiedoes,indeed,

designatethequiltsforeverydayuse.

ysthatMaggieknowshowtoquilt

shufflesinand,tryingtomakepeace,

MamalooksatMaggie,sheisstruckbyastrangefeeling,similartothespiritshefeelssometimes

ively,shehugsMaggie,pullsherintotheroom,snatchesthequiltsoutofDee’s

hands,andplacestheminMaggie’

DeeandHakim-a-barberleave,DeeinformsMamathatMamadoesnotunderstandherown

gMaggie,Deetellshertotryandimproveherselfandthatit’sanewdayforblack

dMaggiewatchthecardriveoff,thensitinthequietoftheyarduntil

bedtime.

Mama

Mama,thenarratorofthestory,isastrong,lovingmotherwhoissometimesthreatenedand

burdenedbyherdaughters,andstern,herinnermonologueoffersusa

glimpseofthelimitsofamother’brutallyhonestandoftencritical

shlydescribesshy,witheringMaggie’s

limitations,sentstheeducation,

sophistication,ntasizesabout

reunitingwithDeeonatelevisiontalkshowandaboutDeeexpressinggratitudetoMamaforall

ieffantasyrevealsthedistancebetweenthetwo—andhow

ethisbriefdaydream,Mamaremainsapracticalwomanwith

Deeembracesanalternativepersonawhensherenames

herself“Wangero,”Mamarejectedatraditionalgenderrolewhensheworkedtoraiseandprovide

forherdaughtersandtookonanalternative,roudofherhardynature

tory,sheliterallyturnsherbackonthehouse,

eherwillingnessto

operateoutsideofconventions,Mamalacksabroadviewoftheworldandis,tosomeextent,

sn’tunderstandDee’slife,andthisfailuretounderstandleadsherto

shernewpersonaasliberating,whereasMamaseesitasarejectionofher

tsurprisingthatshenamesfamiliarMaggieasthecaretakerofthe

family’sheritage.

Maggie

Pointed:锐利的,直率的。Withering:使人难堪的,令人无地自容的。

Nervousandmaladjusted,Maggieisafigureofpurity,uncorruptedbyselfishnessorcomplex

lyburnedinahousefirewhenshewasachild,herscarred,ugly

appearancehideshersympathetic,esathomeandisprotectedbyMama,

asherhomeboundisolationprotects

her,sheisalsoavictimofthisseclusion:shesuffersfromacripplingshynessandlackof

moveswithameek,shufflinggaitandhoversawkwardlyindoorwaysrather

ghMamamentionsthatMaggieisgoingtomarry

JohnThomas,itisdoubtfulthatevenamarriagewillhelpMaggiebecomeastrongandclearly

,protectiveassheisofMaggie,isfrankabouthershortcomingsand

:温顺的。Seclusion:隔离。Rife:普遍的。

Maggie’callshowMaggiehad

alwaysthoughtDeehadbeengiftedwithaneasylifeinwhichherhopesanddesireswererarely,

ifever,seemstohavetakenbothsisters’difficultiesontoherownshoulders,

andalthoughsheneversaysexplicitlythatshefindsitunfair,ytime

MaggierevealstheextentofherinnermostdesiresiswhenDeeattemptstotakethequiltsthat

dropsplatesinthekitchenandthenslamsthedoor,

,althoughshetriestowinDee’sfavorbygivingupthequilts,herreluctancetodo

doeshaveawill,andalthoughitisburieddeepinsideher,

itcomesthroughwhenwhatshedesiresmostintheworldisabouttobetakenaway.

Dee

Deeistheobjectofjealousy,awe,andagitationamongherfamilymembers,whileasan

’sjudgmentalnature

hasaffectedMamaandMaggie,anddesireforDee’sapprovalrunsdeepinbothofthem—iteven

appearsinMama’r,Deedoesnotmakemuchofan

pable,noteasilyintimidated,and

brimmingwithconfidence,Deecomesacrossasarrogantandinsensitive,andMamaseesevenher

esDee’sthirstforknowledgeasa

provocation,ahaughtyactthroughwhichsheassertshersuperiorityoverhermotherandsister.

Deeisalsoportrayedascondescending,professinghercommitmenttovisitMamaandMaggieno

msignalingabrand-newDeeor

trulybeinganactofresistance,thenewpersona,Wangero,comesacrossasanattention-seeking

ployinkeepingwithDee’ssheisreclaimingherheritage,butshehas

pable:镇定的。Condescending:有优

越感的。Provocation:挑衅。Haughty:傲慢的。Align:排列。Starkly:完全的。Rustic:乡村

的。

ThroughDee,Walkerchallengesindividuals—includingactivists,separatist,orotherwise—who

eopleprefertoconnectthemselvestoanidealizedAfrica

insteadoftothelessonsandharshrealitiesthatcharacterizedtheblackexperienceinAmerica.

DeeandHakim-a-barberarealignedwiththeabstractrealmofideology,whichcontrastsstarkly

withtheearthy,physical,ntriguedbytheir

rusticrealism,snappingphotographsasthoughtheyaresubjectsofadocumentary,andindoing

dofhonoringandembracingherroots,Dee

looksdownonhersurroundings,believingherselftobeabovethem.

Colorfullanguage,specializeddiction,andMama’suniquephrasesandobservationsgive

“EverydayUse”voicetoamemberofagroupthathadtypicallybeen

silenced,WalkergivesMamathepowertonarrateandcontrolanduselanguagetoconveyher

hasMamausethespecializedlanguageofbutter

churningandcheesemaking(Deewantstotakehermother’s“dasher”andthe“churntop”),

bjectsevoketheself-supportinglifeofaruralfarmfamily

andendlesscyclesoflaboritsmembersface.

ThestoryfocusesonthedisappointmentMamafeelsinbothherdaughtersandthetensionthat

ariseswhenDeeforceshertomakeadifficultchoiceaboutwhogetsthequilts,butthetragedyis

undercutbyMama’kesthelanguageher

mple,shereferstoherhusbandcarvingbencheswhenthefamilycouldn’t“effort”

(insteadof“afford”)tobuychairs,andshedescribesthemilkinthechurnas“crabber”(soured).

Walkeruseshumorasawayoflighteningthestory’sgrimobservations,suchasinthesubtle

comedyprovokedbyMama’sreactiontoDee’sandHakim’

eventuallygivesuponHakim-a-barber’snameandsecretlyaddresseshimaswhatshethinkshe

soundslike:abarber.

Thesignificanceofthetitle“EverydayUse”andtheeffectofthestory’sportrayalofadaughter’s

briefvisithingeontheironythatcomesfromthesisters’

quiltsaremostvaluabletoMamaandMaggie,notasobjectstobehungonthewallandrespected

asfolkart,sksMaggie’sharmingor

destroyingthequilts,valuableandirreplaceabledocumentsoffamilyhistory,inexchangeforthe

peaceofmindthatcomesfromknowingthattheyhavebeenpassedontotherightdaughter.

MamacontendsthatMaggie,supposedlymentallyinferiortohersister,hasanabilitythatDee

doesnot:aggiemaysubjectthequiltstothewearandtearofeverydayuse,

shecanrtsto

preservethequiltsandprotectthemfromtheharmhersistermightinflict,butsheshowsnotrue

egatestheobjectstomeredisplay

items.

Althoughclaimingthatthepreservationofthequiltsisofparamountconcern,Deehasnoreal

understandingoforrespectforhermother’sancestors,viewingthemmuchassheviewsher

mother:eeclaimstohavereverenceforthe

past,attheendofthestory,shecriticizesMamaandMaggieforremainingmiredintheoldways

ngalifealtogetherdifferentfromthepastisDee’sprimaryobjective.

Thisattitudeisyetanotherwayinwhichsheexpressesherdisconnectiontoandlackof

,lifeinthecountryissomethingtoescape,deny,and

denturntoembracetheobjectsofthepastisthusallthemoreemptyand

hebelievessheisearnest,itisMama,despiteherpooreducationandlackof

worldliness,whoseestheshallownessofDee’a,thebestwaytoprotectthe

spiritofthequiltsistoriskdestroyingthemwhileinMaggie’spermanent“care.”Theironyofthis

isnotbitterbuttouching:preservingtheobjectsandtakingthemoutofeverydayuseis

disrespectfulbecauseitdisregardstheobjects’intended,gthemincirculation

antQuotationsExplained→

dtoreadtouswithoutpity;forcingwords,lies,otherfolks’habits,wholelivesupon

ustwo,hedusinariverof

make-believe,burneduswithalotofknowledgewedidn’tnecessarilyneedtoknow.

MamaspeaksthesewordsinreferencetoDee’sformativeyears,whenshewouldreturnhome

fromboardingschoolinAugusta,fullofnewlyacquiredknowledgethatshewouldlordover

thanherdaughter’sintelligenceandaccomplishmentstriggeringpride

inMama,Dee’efirethat

destroyedthefamily’sfirsthouse,knowledgeisportrayedasavolatileandunwelcomepresence

thatthreatensthehome’ssafety,simplicity,city:简朴。Belittle:轻视。

EducationisthemeansthroughwhichDeerejectsandbelittlesherfamily,thusleadingtodivision

ametime,knowledgeisaprovocation,remindingMamaoftheexposure

vesvoicetoherresentmentatherownstalled

dwithnegative

connotations,educationissuggestedasadestructiveforcethatharmsindividualsbyexposing

eharmedorexcludedbythe

struggletoacquirelearningandaredestinedtobelikeMaggie,hangingmeeklyinthedoorwayof

aroomthatshewillneverbeabletoenter,a,this

threatisasrealandunwantedasafireracingthroughtherafters.

ueverseenalameanimal,perhapsadogrunoverbysomecarelesspersonrich

enoughtoownacar,sidleuptosomeonewhoisignorantenoughtobekindtohim?Thisisthe

passesherby.

briefquotation

shebluntlycharacterizesMaggieasapatheticfigurewhoshowstheeffectsofhershelteredlife

’scrushedspiritandwithering,withdrawnnaturedisappointMama,but

sheultimatelychoosesMaggie’ssimplicityandfaithfulnessoverDee’

amsoftheimpending

marriand,

Mama’sbame

time,Mama’atizesthesubtleyetdeepgulfthatexistsbetween

sDeerepresentsaworldofextremechange,Maggierelentlessly

staysthesame,ing:

即将发生的,迫切的。Demographic:人口学的。

Avoterregistrationdriveisaneffort,oftenundertakenbyapoliticalcampaign,politicalparty,or

otheroutsidegroups(partisanandnon-partisan),thatseekstoregistertovotethosewhoare

mesthesedrivesareundertakenforpartisanpurposes,andtarget

specificdemographicgroupsthatarelikelytovoteforonecandidateorother;ontheotherhand,

suchdrivesare

October4,2004,avoterregistrationdriveinAustin,TexasledbytheTravisCountyDemocratic

Partyregisteredover12,cently,inOregon,

Officialssayabout8500peopleregisteredonMonday,October15th,andnearly20,000on

Tuesday,onstitutesanincreaseofmorethan33%andpushingthetotal

AddsNewVoters

Walkerisaprolificwriter,workinginavarietyofgenresincludingchildren’sliterature,poetry,

nonfiction,estknownforhernovelsandshortstories,inwhichshe

givesvoicetoadoublyoppressedgroup:elTheColorPurple

(1982)isperhapshermostwell-known,winningthePulitzerPrizein1983andinspiringafilm

adaptation

“EverydayUse,”publishedaspartoftheshortstorycollectionInLoveandTrouble:Storiesof

BlackWomen(1973),includessomeofthepreoccupationsthatrecurinWalker’slaterwork,such

asafocusonwomen’riesinthis

collectiontakeplaceinsett赏析怎么写 ingsrangingfromWalker’shometerritoryintheAmericanSouthto

t’s

protagonistsareportrayedasvictims,variouslymanipulatedandusedbyhusbandsandlovers,

whitesociety,thestorieshaveunhappyendingsor

cautiousresolutionsbasedonquiet,shaveseen“EverydayUse”as

standingoutfromtheotherstoriesinthecollection,partlybecauseoftheprotagonist’sconfidence

indefendingherfamily’imethestoryisset,thelate1960sorearly1970s,black

nduringslaveryand

theviolenceanddiscriminationthatcamewitheventualfreedom,AfricanAmericansgradually

nerationemerged,someeagertobreakwith

thehorrorsofthepastandothersunabletoemergefromthespecterofpovertyandinequality.

“EverydayUse”

story,Walkerexaminestheintense,serious,sometimesmilitantrhetoricthatcharacterizedsome

giveshermostintensescrutinytothe

ny:细看。Tenuous:纤细的。

“EverydayUse”issetinthelate1960sorearly1970s,atumultuoustimewhenmanyAfrican

Americanswerestrugglingtoredefineandseizecontroloftheirsocial,cultural,andpolitical

asalsoagreaterattempttorecognizethecontributionsthat

AfricanAmericanshadalreadymadeinAmerica’ime,bothscholarsand

laypeoplebre

particularl倥偬的拼音怎么读 yinterestedintheaspectsofAfricanheritagethathadsurvivedcenturiesofslaveryand

thistime,manyblackssoughttoestablish

themselve

(andlaterAfro-American)replacedthetermNegro,

blackAmericans,uninspiredbyableakhistoryofslaveryinNorthAmerica,lookedtotheir

uous:动荡的,喧嚣的。Layeople:

门外汉。Emulate:模仿。Critique:批评。Dismiss:

Thetimeperiodinwhich“EverydayUse”takesplacewasalsoanerawhengroupsofall

ideologies—somepeaceful,somemilitant—ckPanthersan十五夜望月古诗原文朗读 dBlackMuslims

ossibly

emulatingtheCulturalNationalists,artistsandwriterswhoworeflowingrobesandsandalsand

emphasizedthedevelopmentofblackcultureasameansofpromotingfreedomandequality.

WalkermayhavecreatedHakim-a-barberwiththisnew,younger,moremilitantgenerationin

madescribestheMuslimswholivedowntheroad,wholeadalabor-intensivelife,

willingtocommittothehardworkofthecauseand

tely,Walker’sstoryisacritiqueofindividualswhomisapplied

ormisunderstoodsomeoftheidealsthatblackconsciousnessgroupspromotedduringthattime

TheMeaningofHeritageAngeredbywhatsheviewsasahistoryofoppressioninherfamily,Dee

lstoseethefamily

legacyofhergivennameandtakesonanewname,Wangero,whichshebelievesmoreaccurately

r,thenewname,likethe“African”clothesandjewelry

shewearstomakeastatement,littletrueunderstandingofAfrica,sowhat

rmore,Deeviewsherreal

heritageasdead,somethingofthepast,ratherthanasaliving,iresthe

carveddasherandfamilyquilts,butsheseesthemasartifactsofalosttime,suitablefordisplay

butnotforactual,setherselfoutsideherownhistory,rejectingherreal

heritageinfavorofaconstructedone.

MamaandDeehaveverydifferentideasaboutwhat“heritage”is,andforMama,thefamily

ily

heirloomsarethetruetokensofDee’sidentityandorigins,butDeeknowslittleaboutthepast.

Shemisstatestheessentialfactsabouthowthequiltsweremadeandwhatfabricswereusedto

makethem,ireto

hangthequilts,inamuseumlikeexhibit,suggeststhatshefeelsreverenceforthembutthattoher

theyareessentiallyforeign,derstandsthatMaggie,notDee,should

havethequilts,becauseMaggiewillrespectthembyusingtheminthewaytheywereintendedto

econtendsattheendofthestorythatMamaandMaggiedonotunderstand

theirheritage,Walkerintendstheremarktobeironic:clearly,itisDeeherselfwhodoesnot

ve:分裂的,造成不和的。Toil:辛苦。Wedge:楔子,导致分

裂的东西。Worldliness:世故。Lofty:高傲的。Haltingly:跛的,结巴的。

TheDivisivePowerofEducationAlthoughMamastruggledtosendDeetoagoodschool,

educationprovestobemoredivisivethanbeneficialtoDee’

ewasachild,herschoolwasclosed,andnoone

,passiveacceptance,andforcesbeyondhercontrolsetMama

fortunatethatMamagavehertheopportunityfor

advantagesandrefinements,buttheyhaveservedonlytocreateawedgebetweenDeeandtherest

sherintellecttointimidateothers,greetinghermotherwith“Wa-su-zo

Tean-o,”agreetinginanobscureAfricanlanguageMamamostlikelydoesn’t’,with

herknowledgeandworldliness,isathreattothesimpleworldMamaandMaggieinhabit,andDee

achild,Deereadtohermotherand

sister“withoutpity,”“forcing”strangeideasonthemandunsettlingtheirsimpledomestic

ionhasseparatedDeefromherfamily,butithasalsoseparatedDeefroma

ftyidealsandeducationalopportunitycamealossofasenseofheritage,

background,andidentity,ivesatthefamilyhomeasa

strange,threateningambassadorofanewworld,aworldthathasleftMaggieandMamabehind.

Civilrights,greatervisibility,andzerotoleran七言律诗古诗大全 ceforinequalityarecharacteristicsofDee’sworld.

Thesethingsarenot,inandofthemselves,’sproblematicisthatDeehasno

respectforanythingbutherworld,,onthe

otherhand,ated,shecanreadonlyhaltingly.

Bydoingwhatsheistoldandacceptingtheconditionsofhershelteredlifewithoutquestion,

setsupthiscontrasttorevealanironic

Voracious:贪婪的。Stifle:使窒息,扼杀。

contradiction:Dee’svoraciousquestforknowledgehasledtoheralienationfromherfamily,

ucationandthelackofithave

EyeContactandEyesightThroughoutthestory,the

presenceorabsenceofeyecontactandstrongeyesightrevealsthedifficultythatMama,Dee,and

Maggiehaveinrelatingtooneanotherand,inMaggieandMama’scase,totheoutsideworld.

Mamaisunabletolookawhitepersonintheeye,suggestingthatshehasnevermanagedto

embracetheideaofequality,can’tlookanyoneintheeye

atall,hangingherheadasshewalks,ribingMaggie’s

abilitytoread,MamasaysthatMaggiedoesthebestshecandespitenotbeingabletoseewell.

Thisqdescribes

Deeaswide-eyed,thehousefirethathappened

whenshewasachild,shewastransfixedbytheflamesconsumingthehomethat,toher,

aimsDee’sattentionwasoftensoraptthatshewould

’seasyeyecontactandintensegazesrevealhercritical,

terarrivingatthefamilyhome,DeeandHakimsend“eyesignals”

toeachother,silentlyregisteringtheirdisdainforMamaandMaggie’ssimple,rusticworld.

NamingandRenamingTheactofnaming—or,inDee’scase,renaming—isawayofconnecting

doesn’ttellustheoriginsof

Maggie’sname,andMama’snameisnevergiven,butweknowthatthesetwocharactersare

eforemakessensethattheirnamesand

,ontheotherhand,attemptstotransformherselfand

fr花飞花满天免费观看 iend,

Hakim-a-barber,mayhavetakenonhisnameforsimilarreasons,ashegrewtoembraceMuslim

ngis谁道人生无再少下一句 asignofthesetwocharacters’attemptstoleavebehindtheirtrueselvesby

ievesthatthenameWangeroholdsmorepowerandsignificance

thanDee,’sbeliefthatshewasnamedafter

ojudgment,sheseeshergivenname

asanemblemofaracist,abusiveworld,asopposedtoatributetoalonglineofstrongwomen.

Dee’sdecisiontotakeonanewnamehighlightstheconfusedviewsshehasofherownheritage.

Acuity:敏锐。Transfix:钉住,使刺穿。Rapt:全神贯注的。Fluid:流动的。Abusive:辱骂

的,滥用的。Tribute:礼物,供物,颂词。Racist:种族主义者。

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